The way the music progresses mirrors the grit and darkness that begin to emerge out of paradise. John Hughes virtually pioneered the formula for teen movies soundtracked by angsty British post-punk rock.
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Curated and co-executive produced by Kendrick Lamar, the Black Panther soundtrack brought on a select group of extraordinary talent that would understand the themes in the film, from Anderson. Paak to Earl Sweatshirt. Leading this group is Lamar himself, undoubtedly the best choice of artist for a film that explores responsibility, black power, family dynamics and loyalty.
Where Jay-Z failed to step aside on the Great Gatsby soundtrack and let other artists do their thing, Lamar is more interested in highlighting the skills of his fellow artists, like South African singer Babes Wodumo, or Jorja Smith. In a year that was saturated with serious historical and period dramas, from a remake of Jane Eyre to The Queen, Marie Antoinette stood out for its highly stylised and fun approach to a well-known figure. It is a brilliant yet subtle alignment of modern Western consumerism and the outrageous decadence at Versailles during the 18th century.
Of course, any biopic about the rise and fall of gangsta rap collective NWA had to have a killer soundtrack — especially if its former members were involved in its production. Even so, the meticulous care with which the soundtrack for Straight Outta Compton was assembled is impressive, and provides backdrop for an origin story about some of the most influential and important records — and artists — of the Eighties and Nineties. A veritable smorgasbord for any self-respecting music nerd: Baby Driver took movie soundtracks to a whole other plane.
Unlike many films of the Nineties, which attempted to capitalise on the major rock stars of the day, 10 Things managed to select what is essentially a list of one-hit wonders, from Letters to Cleo and Semisonic to Save Ferris. When you watch the film today, it only serves to fuel that feeling of nostalgia and add to its ever-growing cult status. Until Eden, there was no film about club culture that took the scene seriously. This was one of the first films to be defined by its music; Mike Nichols also helped pioneer the practice of curating pre-existing songs that would appeal to a pop radio audience.
This was one of the first films to also be defined by its music; Mike Nichols also helped pioneer the practice of curating pre-existing songs that would appeal to a pop radio audience.
It was groundbreaking for its themes of poverty and drug abuse which made the record stand out among the less socially aware music of its time. It would go on to influence everyone from TV score composers to soul singers in the decades that followed. How do you make a film with aliens, a talking tree and an anthropomorphic tree feel believable?
After two decades, it still holds up as one of the greatest and most lovingly curated collections of songs in music history. The music is essentially a whole other character — a narrator who offers running commentary on the scenarios the others find themselves in. Prince's acting debut took place in a film that also produced one of his greatest works. The concept for the plot, about a talented but tortured frontman of a band in Minneapolis, was developed by Prince during his tour.
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Purple Rain was one of the 10 highest-grossing films of and shows Prince as his best and most outrageous self. Yet the songs also provided a window through the Purple One's enigmatic facade, to reveal the soul beneath. What is particularly brilliant is the alternation between non-diegetic sound and the silence that precedes and lasts during some of the most tense action sequences.
The song was first used in the martial arts film Lady Snowblood, in which Kaji starred. The White Crow — Trailer.
Midnight Eye review: An Actor’s Revenge (Yukinojo Henge, , Kon ICHIKAWA)
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Community Reviews. Showing Rating details. More filters. Sort order. Apr 08, Patrick McCoy rated it liked it Shelves: japan , film , criticism.
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I was surprised to find out that there was a British Film Institute Film Classics edition of Kon Ichikawa's visual masterpiece. This edition was written by Ian Breakwell a multi-media artist, diarist and video-maker. It seems to be shorter than most books in the I serious and begins by weaving in personal connections to his first viewing in Bristol in and the subsequent second viewing in London in and his descriptions of what took place in the film.
follow site Then he writs an epilogue I was surprised to find out that there was a British Film Institute Film Classics edition of Kon Ichikawa's visual masterpiece. Then he writs an epilogue merging his personal reactions with Ichikawa's vision. I think he is particularly good on pointing out the effective uses of sound in the film. However, I think there could have been more background on the origins of the film, Kabuki theater, and Japanese history and its context in the film. Sep 15, Kevin rated it really liked it. A really nice personal essay approach to criticism that also really contributed to my appreciation of the film which I also would not have sought out if it had not been included in this series.
Mrfahrenheit rated it liked it Mar 03, D rated it liked it Mar 19, Jen Murray rated it did not like it Aug 07, June Mcmurphy rated it really liked it Dec 23, Oli rated it did not like it May 27, Kyle Lai rated it it was ok Feb 09, John rated it liked it Jun 17, Ewan rated it liked it Mar 10, Judson rated it liked it Sep 19, An Actor's Revenge by Ian Breakwell ,. Kon Icbikawa. An Actor's Revenge is one of the masterworks of the modern Japanese cinema. Visually stunning, with some of the most imaginative widescreen camera-work ever seen, the film exemplifies director Kon Ichikawa's self description: 'I was trained as a painter and I strill think like one'.
How Ichikawa transforms a melodramatic tale into a total cinematic experience is vividly an An Actor's Revenge is one of the masterworks of the modern Japanese cinema. How Ichikawa transforms a melodramatic tale into a total cinematic experience is vividly analysed in fellow artist Ian Breakwell's sympathetic study.
An Actor's Revenge tells the bizarre story of Yukinojo, a nineteenth century Kabuki female impersonator who employs his theatrical skills to deceives and destroy the merchants who caused the death of his parents. Ichikawa's film is a remake, thirty years later, of Teinosuke Kinugasa's box-office smash, using the same actor, Kazuo Hasegawa, in the twin roles of transvestite Yukinojo and virile thief Yamitaro. What might have been a mere gimmick proved an inspired stroke of casting.
Breakwell acclaims Hasegawa's dual performance as one of the cinema's greatest displays of acting, in which the highly artificial conventions of Japanese theatre are mobilised in a dazzling play on the mysteries of identity and sexuality. Get A Copy.